Emergence of Perception: A Journey Through Rasa and Contemporary Art

In between our busy schedules, how often do we truly notice the world around us? 

The light filtering through a window, the subtle shift in temperature as evening approaches, or the movement of leaves in the breeze, these seemingly mundane observations shape our perception, emotion, and understanding of existence itself. 

Tikendra Kumar Sahu's solo exhibition "Emergence of Perception" invites viewers to pause and rediscover the transformative power of everyday observation through the ancient lens of Indian aesthetic philosophy.

For Sahu, a distinguished professor, art creation represents something far beyond professional practice or commercial endeavour. His philosophy centres on the concept of "art for art's sake”, a belief that true artistic creation emerges from an uncontrollable inner expression that must be realised, regardless of external validation or market demands.

Philosophy Behind the Emergence of Perception

"True creation comes from uncontrollable expression, reflecting emotions and soul that must be realised," explains Sahu, emphasising that the creative process itself is both a luxury and a divine grace. This perspective fundamentally reshapes how we might approach viewing and collecting art. Rather than seeking artwork that merely decorates or impresses, Sahu's philosophy invites us to connect with pieces that emerge from authentic creative necessity.

To fully appreciate "Emergence of Perception," one must understand the foundational aesthetic philosophy that guides Sahu's work. Rasa, derived from Sanskrit meaning "juice, essence or taste," represents a concept in Indian arts denoting the aesthetic flavour of any visual, literary, or musical work that evokes an indescribable feeling in the viewer.

Watercolour as a Medium for Emotional Depth

The watercolour medium presents unique challenges that make it ideal for expressing the nuanced philosophy underlying this exhibition. 

Sahu's technique embodies patience and deliberate contemplation. His approach involves slow, meticulous drawing using continuous small dots and fine brushstrokes to refine and create atmosphere. This painstaking process isn't merely technical virtuosity; it's deeply connected to the Indian performing arts tradition, where following the brushstrokes leads the heart and emotion to emerge, ultimately allowing viewers to "taste the Rasa of the work."

The artist's relationship with his work exemplifies this patient approach. Rather than rushing toward completion, Sahu interacts with each piece until the emotion matures and settles naturally onto paper.

Nature as Content: Beyond Social Commentary

A distinctive aspect of "Emergence of Perception" is Sahu's unwavering focus on nature as subject matter. In an art world often dominated by social commentary and political statement, his choice to centre nature represents both a philosophical stance and an invitation to different kinds of awareness.

Observing nature becomes a magical experience that allows people to transcend personal pain and connect with something larger than themselves. This isn't escapism but rather a form of healing.

The exhibition highlights three works particularly focused on plants: "The Quality Function of Natural," "The Sadasuhan," and "The Emotional Import and its Awareness." These pieces were selected because they communicate a unified experience: the sensation of being fully aware of one's environment and sensory feelings while standing beside a plant. 

Through these works, Sahu transforms the physical aspects of the environment into emotional resonance, inviting viewers to reconsider their relationship with the natural elements they encounter daily.

Visit our ongoing online exhibition here

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Footnotes:

1. Rasa (aesthetics), Wikipedia - Ancient Sanskrit aesthetic theory defining emotional essence in art

2. The Rasa Theory of Bharata - Core principles from Natya Shastra on creating aesthetic experience

3. Britannica: Rasa - Definition and philosophical foundations of Indian aesthetic theory

4. Indian Watercolor Tradition - Technical characteristics and demands of watercolor medium